Saturday, September 25, 2010

Prana Pratishtha (Consecration)

The Agamas prescribe certain objects of worship symbolising in form the Deities or representing their dwelling places, as perceived by their seers. These are of three kinds:

1. Image, murti, which represents the Deity
in human form with limbs and the like.

2. Emblems which stand for particular Deities.
e.g., Saligram stone for Vishnu, Linga for Siva.

3. Diagrams - geometrical figures consisting of lines and curves, circles and squares and triangles all of which are symbolic, called Yantras or Mandalas. The Yantra literally means an instrument, the means by which worship is done. It is looked upon as the body of the Mantra which itself is ensouled by the Devata. The Yantra is drawn or engraved on metal or stone or on any surface. Mandala is a figure drawn on a surface and may represent any Devata whereas the Yantra stands for a particular Devata alone.

These are the figures, pratima, symbols or representations of the Divinity which the worshipper places before him or her as pratik (symbol), for adoration and worship.

Prana-pratishtha(consecration)

The image or the diagram does not by itself become a fit object of worship. It remains but a material form until it is infused with a life principle. The worshipper contemplates in his or her inner being the form of the Deity as induced by the physical form before him or her, dwells upon it with an intense concentration and devotion; a spiritual force is generated as a result, and transmits this power, released in the consciousness of the person, to the object which then becomes alive with the spiritual energism. This is called the Prana-pratishtha, installation of life force.

To such a living form of a Deity is the worship offered, in which not only the mind and heart but the whole body of the worshipper participates. Traditionally this worship has sixteen stages:-

1. Asana (seating of the image

2. Svaagat (welcome of the Deity)

3. Paadya - water to cleanse the feet

4. Arghya -offerings

5. Aachman - water for sipping and cleaning the lips

6. Aachman offered again

7. Madhuparka - honey, ghee, milk and curds

8. Snaan - water to bathe the Deity

9. Vastra - garments

10. Aabharana ( ornaments)

11. Gandha - sandal paste or perfume

12. Pushpa - flowers

13. Dhupa - incense

14. Dipa - light

15. Naivedya - food for consecration

16. Vandana - prayerful homage

Pitra Paksha Mahadaan : Donations

Donation of following 10 articles during ‘Pitra Paksha’ comes under ‘Mahadaan’. Ancestors get pleased if these articles are offered and donated by the person doing Shradhakarma.

1. Donate cow (Gow Daan) - The first and foremost article among the ten ‘Mahadaan’ in Pitra Paksha is Cow.

2. Donate Land (Bhumi Daan)- If ‘Shradhkarta’ can afford to donate land then he should donate a small piece of land to a needy poor person. If it is not possible then he should take a small lump of clay, keep it in a thali. Take Sanklap and donate it to a Brahmin along with ‘Dakshina’.

3. Donate Seasame (Til Daan)- Black Seasame seeds are considered auspicious for donation in Pitra paksha.

4. Donate Gold (Swarn Daan)- If one can not afford gold for donation, then Dakshina should be donated to a Brahmin.

5. Donate Ghee (Ghrit Daan)- Ghee made of Cow milk should be donated in a vessel.

6. Donate Clothes (Vastra Daan)- Two main clothes and two under clothes which are not torn and used one, better if the clothes are new should be donated to a Brahmin.

7. Donate Cereals (Dhaany Daan)- Wheat, Rice and other cereals should be donated after taking a Sanklap.

8. Donate Jaggery (Gud Daan)- Donation of jaggery in Pitrapaksha is also auspicious.

9. Donate Silver (Rajat Daan)- Ancestors bless their successors if they donate Silver in Pitra Paksha.

10. Donate Salt( Lavan) - Ancestors get satisfied if salt is donated in Pitrapaksha.

After offering food and donation to Brahmin, recite this mantra and pray to Lord Vishnu three times for the completion of ‘Shradhakarma’.

What happens after death?

Human body is made up of five Koshas – 1. Annamaya Kosha (body), 2. Pranmaya kosha (heart), 3. Manonaya Kosha (Mind) 4. Vigyanman Kosha (wisdom and knowledge),5. Anandmaya Kosha (blessings). These five koshas are intertwined into one another so as to help us transcend the cycle of life and death and attain liberation or merging with the Supreme.

After death, 4 koshas remain in this world. Other koshas keep moving and their movement is called Bhootgati. These Koshas leave the body one by one. In the end, when human body is burnt, soul departs from human body and all the koshas enter in Pretyoni. Manomaya kosha is very important in this yoni. So, it is human body which ends at the time of death and the soul which resides in the body, bears pleasure and pains because of desires in this yoni. When these desires end then this kosha is also liberated. All other three Koshas attain Devgati. Now, Anandnaya kosha remains alone and this gati is called Ishtgati. It denotes both manifestation and completion of the physical universe in total. In Ishgati, the being does not feel pleasure or pain and reaches Surya lok. From Surya lok it comes back to earth by the rays of the sun and enters the womb. In the tenth month it takes birth as human body in this world. Those who are liberated after death, their fire koshas are also liberated and they do not suffer in any one of these Gatis.

This is the natural cycle, which indicates that a being mainly faces two types of Gatis after death. One is Liberation and second is being trapped in a continuous cycle of life and death. In the first case, a being is liberated from all pains and desires. In the second case, being has to go or bear four Doshas and Yonis. Bhoot Yoni dies after the body is burnt, that is why a dying person hardly stays in that Yoni. At this time, there is no reason to perform any Shradhkarma or yagya. Of course, pind daan can be done. The duration of staying in Pretyoni depends upon the lust and desires of the dying person. The more it is involved in lust, the more it has to stay in Pretyoni and suffer. One cannot perform any Karma or religious work; neither can it experience physical pain or happiness because of its karma.

Happiness and sadness both are state of mind. Both virtuous and vicious get liberation from their subtle body after bearing the fruits of their karmas (good or bad) and when their desires are gratified. It is evident that by performing Shradhkarma in Shradhpaksha for the peace of ancestor’s souls in this birth, deceased ancestors get liberation from their bad deeds or sins. That is the reason, those who are physically present in this world, perform shradkarma for their dead ancestors during Pitra Paksha (fortnight of the ancestors is a period of 16 lunar days when Hindus pay homage to their ancestors especially through food offerings).

Some Pandits believe that Shradhkarma should be performed only in the honour of deceased ancestors, who are now residents of Pitralok (abode of ancestors) because when invocation is performed, these ancestors come and take whatever is offered to them. But if we think theoretically, we find that the ancestors who are unsatisfied souls who could not gratify their desires in their lifetime need respect and help from their successors to liberate them from the pain, as they are incapable to free themselves from the pains due to their non-existence in the world. Ancient literatures have described the instances of the appearances of the dead souls from Pitraloka during the time when Shradhkarma was performed. Some scriptures have described only the instances of some great men, accepting the homage performed by their successors. But these scriptures do not have references of receiving homage by ordinary souls. In fact, our ancestors have not been benefitted much by Shradhkarma, the way their successors or children are benefitted, because it is a ritual to repay debt to our deceased ancestors by gratifying their spirits and it is their religious responsibility also in order to make free their ancestors from their sins. That is the reason; Shradhakarma should be done with full devotion and in accordance with the principles described in Shastras.

Funeral rites and Shraddha must be distinguished from each other. Funeral rites (antyeshthi) are amangal (inauspicious) while Shraddha are mangal (auspicious).

To understand this it should be borne in mind that when a person dies, his or her gross body (sthula sharira) is burnt. This being in fact the ‘Antya ishthi’ (antyeshthi) the last sacrifice offered in fire, but the soul cannot quit the gross body without a vehicle of some kind. This vehicle is the Linga-sharira or subtle body, sometimes described as angushtha-matra (of the size of a thumb), invested in which the deceased person remains hovering near the burning ground or crematorium.

He or she is then in the condition of a simple individual soul invested with a subtle body, and is called a PRETA, i.e. a departed spirit or ghost. Thus an embodied soul (jiva) who has departed from the physical body at death is called a Preta. He or she has no real body capable of enjoying or suffering anything, and is consequently in a restless, uncomfortable plight.

Moreover, while in this condition he or she is held to be an impure being, and all the relations who participate in his or her funeral rites are held to be impure until the first Shraddha is performed. Furthermore, if a person dies away from kindred (relations), who alone can perform the funeral ceremonies, and who are perhaps unaware of his or her death, and unable therefore to perform them, he or she becomes a ‘pishach’, a foul wandering ghost, disposed to take revenge for its misery upon all living creatures by a variety of malignant acts.

The object then, of the antyeshthi or funeral rites, which are carried out for twelve days after death, is not only to soothe or give shanti (peace) by libations of consecrated water to the troubled spirit, but to furnish the preta with an intermediate body, between the ‘linga’ or subtle and the ‘sthula’ or gross body- with a body, that is to say, which is capable of enjoying or suffering, and which is composed of gross particles, though not of the same kind as the earthly gross body. In this manner only can the preta obtain gati or progress onwards.

A brief account of Shraddha and tarpan

On the first day after death a pinda or round ball (made from rice flour and milk) is offered with libations of water etc. on which the preta is supposed to feed, and which endows it with the basis of the requisite body. Next day another pinda is offered with water etc. which gives it perhaps, limbs such as arms and legs. Then it receives hands, feet etc. This goes on for twelve days and the offering of the pinda on the twelfth day gives the head. No sooner the preta obtains a complete body then it becomes a PITRI, when instead of being regarded as impure, it is held to be a deva or deity, and practically worshipped as such in the Shraddha ceremonies, the first of which takes place on the twelfth day after death.

Shraddha is the name of the ceremonies performed by relatives to help the departed soul. The ceremony of Shraddha performed to help the soul at this stage is called PRETA_KRIYA. Hence a Shraddha is not a funeral ceremony but a Pitri-Yajna or worship of departed ancestors, which worship, however, is something different from a puja (ceremonial worship) to a god. It is performed by making offerings of round balls of rice, flour etc. with accompaniments of sacred grass (kusha grass), flowers, and sprinkling of water, and with repetitions of mantras and texts from the SamVeda, the whole ceremonial being conducted, not in a temple, but at any sacred spot such as the margin of a river.

It takes many months for the departed soul to reach the abode of the Pitris or the souls of the ancestors. The word Pitris primarily means the immediate ancestors. Viz. Father, mother etc. This abode of the Pitris is known as Pitri-loka.

Shraddha proper is performed for three generations of Pitris (the father, the grand-father and the great grand-father), or to all Pitris. Three cakes are offered to the father, grand-father and great grand-father. Gifts to deserving Brahmins (priests) for the benefit of the Pitris, in the proper time and place and with faith, are known as Shraddha. Shraddha gives satisfaction to the Pitris. Performance of Shraddha and Tarpan (libations of water) relieves the hunger and thirst of the departed soul during its journey to the Pitri Loka. By the offering of the Shraddha, the son helps his father to dwell in joy with the Pitris. The rites that the son should perform for his father are known as Sapindi karana.

Shraddha must be performed with faith, devotion and reverence. The son who does not perform Shraddha and Tarpan is an ungrateful son. The sacred scriptures declare: "He who does not perform Shraddha will lead a miserable life and suffer from poverty". The ceremonies performed during Pitr-Paksha have very special effects. According to a legend, the offerings of libations of water-tarpan, arghya etc. to the departed reach the Pitris immediately, due to a boon from Lord Yama (the God of death).

The Bhagavad Gita, which forms a vital and philosophically important part of the great epic Mahabharata, states that on the eve of death the individual soul contracts all its energies and centers these into the subtle body. Our ordinary sight is incapable of perceiving it. How the individual soul inhering in the linga-sharira enjoys the consequences of its needs from one birth to another can only be perceived by the Yogis with their extraordinary cognitive insight.

Sraddha and Tarpan

Sraddha is the name of the ceremonies performed by relatives to help the Jiva (individual soul) who has cast off his physical body in death. A Jiva who has cast off his physical sheath is called a Preta. The part of the Sraddha performed to help him at this stage is called the Preta Kriya.

Gifts to deserving Brahmanas for the benefit of the Pitris, in the proper time and place and with faith, are known as Sraddha. Sraddha gives satisfaction to the Pitris. By the offering of the sixteen Sraddhas, the son helps his father to dwell in joy with the Pitris. The son should perform the Sapindikarana rites for his father. Performance of Sraddha and Tarpan relieves the hunger and thirst of the departed soul during its journey to the Pitri Loka.

Those who go to hell are extremely oppressed by hunger and thirst. Performance of Sraddha and offerings of rice and oblations to them, relieve their sufferings. Hence, performance of Sraddha is indispensable.Those who dwell in heaven also get satisfaction, strength and nourishment.

Performance of Sraddha in honour of the manes or forefathers is indispensable. Sraddha must be performed with faith, devotion and reverence. The son who does not perform Sraddha and Tarpan is an ungrateful son. He goes to hell. The sacred scriptures declare: "He who does not perform Sraddha takes his next birth in the lowest caste. He leads a miserable life and suffers from poverty.

The two classes of Pitris

Immediately after death, the Jiva obtains the Ativahika body which is made up of fire, air and space. Later on, it may have a Yatana Deha for suffering the tortures of hell if it had done great sins on the earth-plane, or a celestial body for enjoying the pleasures of heaven if it had virtuous actions while living in the world. In the Yatana Deha the air-element preponderates: while in the celestial body, the element of fire is dominant. It takes one year for the Jiva to reach the Pitri Loka.

There are two classes of Pitris, viz., the Celestial Pitris who are the lords of the Pitri Loka, and the Human Pitris who go there after death. Brahma is the paternal grandfather of all. Kasyapa and the other Prajapatis are also Pitris, as they are the original progenitors. Pitri Loka or the Abode of the Pitris is also called by the name Bhuvar Loka.

The word Pitris primarily means the immediate ancestors, viz., father, mother, etc. Sraddha proper is performed for three generations of Pitris, or to all Pitris. Three cakes are offered to the father, the grandfather and the great grandfather. Two Brahmins are fed first. Seven generations can mutually influence one another by the giving and receiving of food.

Pitri-paksha and the
Mahalaya Amavasya

The dark fortnight of the month of Asvayuja is known as the Pitripaksha or the fortnight of the month specially sanctified for offering oblations to the departed ancestors. And the last day, the day of the new moon, is considered as the most important day in the year for performing obsequies and like rites.

Now, ordinarily, the orthodox Hindus offer oblation of water-Tarpan-Arghya- to the departed every new-moon day. The prescribed rites are also performed every year on the anniversary of the day of death.This is the Sraddha ceremony. What then, is the special import of these observances particularly during the Asvayuja Krishna Paksha? The reason is that such ceremonies done during this fortnight have a very special effect. The offerings reach the Pitris immediately and directly, due to a boon from Lord Yama.

Due to the grace of Lord Yama, it came to be so ordained that such rites done at this particular period acquired the following unique merits. Offerings made at this time reached all departed souls, whether they were kins directly in the line of the offerer or not. Even those who died without progeny received these oblations given on this Pitri-paksha Amavasya day. All those who had failed to do deeds of charity and Anna-Dana (gift of food) and were thus denied these comforts in the Pitri Loka, benefited by these ceremonies.

Those deceased whose date of death is not known and whose annual Sraddha cannot be done, they also get these oblations of Pitri Paksha. Souls whose life was cut off by violent accidental or unnatural death and to whom, therefore, offerings cannot reach in the ordinary course, to them, too, the Ptripaksha offerings reach directly. All these the boon of Lord Yama made possible from the time the great Karna performed the Asvayuja-Paksha rites.

The Hindus now observe this Paksha with great faith, with strict regulation, taking bath thrice, with partial fasting, etc. On the new-moon day, Sarvapitri (all ancestors)Amavasya, the full rites are done and plenty of charity given.

Propitiation of Departed Spirits

The day of Mahalaya Amavasya is the day of great significance and importance to all Hindus. It is the annual festival for propitiating the spirits of our ancestors, with devout prayers for peace. The Hindu Itihasas (histories) say, that on the Mahalaya Amavasya, there is a conjunction of the sun and the moon and that the sun enters the sign Virgo (Kanya). On this day, the departed manes, i.e., our ancestors, leave their abode in the world of Yama and come down to the world of mortals and occupy the houses of their descendants.

The fortnight preceding the new moon is specially consecrated for the propitiation of such departed spirits. The ceremonies performed in honour of the manes or ancestors during each day of this fortnight are considered to be equal to those performed at Gaya. The principle in all such rites is the worship of the departed souls and the satisfaction of their wishes so that they might be in peace during the rest of the year.
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Mahalaya Amavasya

The dark fortnight of Aswayuja (September-October) is known as the Mahalaya Paksha or the fortnight specially sacred for offering oblations to the departed ancestors. The last day of this period, the new moon day, is considered as the most important day in the year for performing obsequies and rites.

The renowned hero of the Mahabharata, Karna, when he left the mortal coil, ascended to the higher worlds and the great charity he had done here was returned to him hundredfold. But, it was all gold and silver; there was no food, as he had not done any food-charity! He prayed to the god of death. So, he was sent back to earth for fourteen days, to make up for this deficiency.

For fourteen days, he fed Brahmins and the poor, and offered oblations of water. On his return to the higher regions, he had food in plenty. It is these fourteen days that are commemorated in the Mahalaya Paksha. Due to the grace of the god of death, it has been ordained that offerings made during this period benefit all the departed souls, whether they are connected to you or not.

Charity in the form of food is important during this observance. Life depends upon food. You cannot preach religion to empty stomachs. This human body is the most important vehicle for realising God. How precious must food be which keeps the body fit for Yoga! The gift of food is the greatest gift. Therefore, give food in plenty, not only during the Mahalaya fortnight but all through the year.

Om Tat Sat Brahmaparnamastu

Wednesday, September 15, 2010

Tarapith at Rampurhat – Jai Ma Tara!

Tarapith is located near Rampurhat district. There Tara Ma is situated in her mandir on the banks of the Dvarka river. The temple was originally built by Vasistha, but due to the passage of time it was lost. A merchant named Joybroto was instructed by Tara Ma in a dream to build a shrine for her. This Ma Tara has two hands, is garlanded by snakes and is wearing sacred threads. Shiva is lying in her lap and sucking her left breast. The story goes that in order to alleviate the pain and buring from drinking poison to save the earth, Tara is feeding him her breast milk. Tarapith is a maha-shakti pith. There are 52 such shaktipiths in India.

The story of the shaktipiths goes as follows…Daksa was going to perform a sacrifice and invited everyone except Shiva and his wife Sati. Sati was the daughter of Daksa and he was angry at Shiva because he didn’t like that his daughter married a “yogi.” She had expressed her desire to attend to Shiva who had tried his best to dissuade her from going. Shiva eventually allowed her to go escorted by his ganas. But Sati, being an uninvited guest, was not given any respect. Furthermore, Daksha insulted Shiva. Sati was unable to bear her father’s insults toward her husband, so she committed suicide by jumping into the yagna fire. When Shiva heard about the death of his wife he became very distraught and immediately went there. He placed the body of Sati on his shoulder and in great anger he began the Pralaya Tandava, the dance of destruction. To save the worlds from destruction the demi-gods appealed to Vishnu for help. Understanding the situation, Vishnu called upon His Sudarshan Cakra and cut the body of Sati into 52 pieces. This caused Shiva to settle down and thus the worlds were saved. The various pieces of her body fell at several spots all through India and formed sites which are known as shaktipithas.

Before Sati was given permission by Shiva to attend the sacrifice her and Shiva had some strong difference of opinion. She was furious that he forbade her to go and Shiva wanted to get up and leave her to her anger, but in whatever direction he turned Sati would appear before him standing in peculiar and strange forms, and thus all the ten directions were enveloped by ten surprisingly novel manifestations. These ten forms are known as Dasa Mahavidya. Tara is one of these manifestations of Maha-Kali, Maha-shakti representing, among other things, ten super-psychological sentiments (rasa).

Darshan of Tara Ma was a very powerful experience as one would expect because a shaktipith is a spiritually rich and energizing location. Tara is the deity of karuna, compassion…the rescuer. When helpless jivas of Kali yuga are drowned in an ocean of worldly misery, she extends her hands to them.

There was a well-known unorthodox tantric guru of Tarapith named Bamakhepa.